"Anne with an E": Anne Shirley as a Feminist Icon

I'm a huge fan of "Anne of Green Gables". Is one of my favourite children classic, if not one of my all-time favourite books. Anne Shirles is such a huge inspiration to me, and I find her so relatable. I'm also a huge fan of the TV series "Anne with an E". It's so well done, and I always recommend it to everyone. In celebration of Season 3, I decided to post this essay. I hope you enjoy it!


With her in it, no place is ever boring (Montgomery, 1908). Anne Shirley, the main character of the beloved children classic Anne of Green Gables, has been an inspiration for young women for more than a century. The community of Avonlea admires her determination, ambition and intelligence, which are the qualities that make her stand out among other girls. There is strong debate on whether this book should be categorised as ‘feminist’ or not. Anne’s independence is quite revolutionary for that period, but she still makes some conventional choices. Although the book is considered old-fashioned, Anne Shirley from Anne of Green Gables is still a great feminist icon.

Anne Shirley is a lively redheaded orphan. The unmarried siblings Matthew and Marilla adopt her, even though they were expecting her to be a boy that could help Matthew on the farm. McQuillan and Pfeiffer (2001) affirm that, throughout the novel, the reader understands that the girl’s qualities are valuable and should be cherished, but that she is not able to fulfil the same social roles of a boy. Although Anne never questions some stereotypical gender norms, such as why women cannot work on a farm, she never feels limited by her gender. Feminism is all about wanting the same opportunities for men and women. In her essay We Should All be Feminists, Chimamanda Ngozi Adichie challenges the limits imposed to women by society, stating: ‘We say to girls “you can have ambition, but not too much. You should aim to be successful, but not too successful, otherwise you will threaten the man”’ (2014, p.12). Anne is full of ambition. Her academic success is admirable, reaching the top rank at the Queen’s College entrance exam. She manages to be the best in her class, beating the boys and Gilbert who, instead of being threatened by her intelligence, admires her for it. Secondly, McQuillan and Pfeiffer question the fact that she does not consider other jobs outside teaching (2001). Motoko Rich (2014) explains in his article that teaching at the time was the only job in which men and women could achieve the same rights. Anne has few job opportunities besides being a teacher, but she is determined to become an excellent one, and she believes that teaching is her purpose in life.




She knows that women are meant to be more than just homemakers, asking Marilla ‘Why can’t women become ministers? … I think women could make splendid ministers’ (Montgomery, 1908, p.315). Anne is also a great feminist icon because she is true to herself. In her essay A Good Little Girl, Rothman (2009) notices Anne’s evolution throughout the novel into a ‘stereotypical female’ (p.3). Being an outsider, she strives to become like other girls in order to be accepted. After years of making mistakes, she becomes the proper woman that society wants her to be, and she has learned to control her temper. In the novel, she goes from childhood to adulthood. Consequently, she changes in the sense that she becomes more mature. Margaret Atwood, in an article she wrote for the Guardian (2008) in honor of the centenary of the novel, states that only Anne’s appearance really changes throughout the book. She wears lovely dresses, she has beautiful hair and speaks more wisely, ‘… but that's about it. As she herself says, she's still the same girl inside’ (n.p.). Another argument against the fact that the book should be considered feminist is its traditional ending (Rothman, 2009). After Matthew’s sudden death, Anne gives up her scholarship in order to stay at home and help Marilla. Even in our society, it is impossible for women to completely ignore domestic responsibilities, and the author represents realistically the compromises that come with adulthood. Being a feminist does not mean rejecting conventional choices and ‘Anne even dismisses any notion that staying would be an obligation: “There is no sacrifice!”’ (Makrancy, 2015, p.7). Family is what is really important to her, and even though there is a ‘bend in her road’ (Montgomery, 2008, p.380), she never gives up her dreams of becoming a teacher and a writer.




In short, Anne uses her intellect and her determination to overcome the limits that society places on her and, at the end of the novel, everyone in the community respects her for who she is. She is bold, determined and makes her own choices. For this reason, she is a great example for young girls even in modern days. There is nothing old-fashioned about her.




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